Tarcy Thomason’s voice sounds as sexy as ever on the track, but ultimately, Lady Gaga’s throaty style is what gives “Bad Romance” its signature vibe. Select Post; Deselect Post; Link to Post; Member. Recorded for the 2004 movie Mean Girls, the song appears over the film’s closing credits and kicks off the hit-or-miss soundtrack in style. Because of this, ’s interpretation comes off as a little too jarring. But in this case, the changes worked simply because Sparks The Rescue committed to altering the whole mood and tone of the song. Furthering the song’s serendipitous success, the band’s cover of “Woo Hoo” also popped up in quite a few commercials around that time period as well. album. We’re curious to know what the song would’ve sounded like with more guitar, but we’re definitely not complaining about FF5’s interpretation. Genre discrepancies aside, it’s impossible to deny the success of one particular subseries: the. The Plugz frontman Tito Larriva has gone on to score (and appear in) multiple films and original Plugz drummer Charlie Quintana has played with Bob Dylan, Cracker, Izzy Stradlin and Social Distortion. albums. From the same movie soundtrack that gave us “Heathens” (DC Films’ Suicide Squad) came this badass single. ), but its soundtrack introduced a new generation to The Damned via The Offspring, so it’s a win overall. Yeah, the most famous song is a pop punk cover of “Boys of Summer.” One, that song is catchy. 4. This cover is a prime example of a band hitting its stride right out of the gate and it actually serves as a fantastic entry point for getting acquainted with X’s catalog. While the original is an excellent example of modern folk-rock done right, the Tonight Alive version is a great example of a, cover done right. Despite being composed of mostly screaming, the sung choruses make the song feel just as danceable. You can also check out their recent live session in the Paste Studio in New York. Sara Bareilles’ “Love Song” is the epitome of mid-2000s, midtempo, piano-driven pop. Some stronger instrumentals would’ve elevated, Who knew that some guitar, drums and fresh pop-punk energy was all this, track needed to go from overplayed breakup song to total banger? Shares (Image credit: Getty) There was once a time when punks and metalheads were mortal enemies. Taking away the glossy sheen on the boy band’s vocals make the song feel literally lackluster, and while it might sound crazy, we actually found ourselves missing the “Oh, oh”s. PUNK IS A VAST GENRE WITH VARIOUS SUBSECTIONS , BUT WHAT ARE THE MUST HAVE PUNK TRACKS ? While Sharon Jones’ funk-fueled “Take Me With U” and Mariachi El Bronx’s festive waltz through “I Would Die 4 U” expertly showcase Prince’s far-reaching sonic imprint, Purplish Rain’s explosive opening track—“Let’s Go Crazy” by Riverboat Gamblers—shows that The (painfully missed) Purple One translates to punk rock just as comfortably as anything other genre. That makes him a perfect candidate to cover the English singer-songwriter’s breakout single, “Rolling In The Deep.” Lancaster’s bandmates back him up with far more interesting guitar and drum parts than those heard in the original, helping to kick this fiery chart-topper up a notch. However, they did interpret the quiet bridge beautifully. When Dead Kennedys released their debut album Fresh Fruit for Rotting Vegetables in 1980, songs like “Holiday in Cambodia,” “California Über Alles” and “Kill the Poor” thrust the feisty foursome (and especially lead singer-songwriter Jello Biafra) into the limelight as a politically charged punk band. swapped out the simple, chill diss-to-an-ex vibe for a driving rock sound, complete with plenty of pop-punk drum fills and a big chorus. That most awkward of subjects, love, was mostly off the agenda in the speed driven years of the glorious revolution etc. This cover of “Airplanes” is still undoubtedly pop, with some new twists and turns. 1 on the Billboard Hot 100 and won three Grammy awards, but it was the soundtrack’s trio of cover songs—Michael Hutchence covering Iggy Pop’s “The Passenger”, Massive Attack and Tracey Thorn covering Smokey Robinson’s “The Hunter Gets Captured by the Game” and The Offspring covering The Damned’s “Smash It Up”— that proved to be its most interesting component. Third, in some exceptional cases, the cover versions unquestionably eclipse the original, as with The Clash’s “I Fought The Law,” Social D’s “Ring of Fire” and pretty much every Ramones cover. Joy Division, made dancier and less depressing. Bayside’s cover of “Beautiful Girls” features all the awesome instrumental qualities that have made the band a beloved fixture in the pop-punk scene, even after almost 21 years. Taking a generic top-40 track and scene-ifying it is no easy feat. When the predominantly punk soundtrack to the 1984 movie Repo Man came out, fans of Black Flag, Suicidal Tendencies and Iggy Pop (who sang the film’s title track) may have been surprised to see that three of the album’s 11 songs were by a semi-obscure band called The Plugz. The Donnas have always seemed to be equal parts Runaways and Ramones and their cover of “Dancing With Myself” blends the best of both influences with their own tough-girl twist. 20 on the Billboard Hot 100) and scoring their only gold record as well. Listen to it loud. ’ all-over-the-place approach just doesn’t work for a song with such a consistent feel throughout. Mayday Parade’s rendition of “Somebody That I Used To Know” takes on an entirely different feel than the original—in a good way. 7, containing a total of eighteen releases, featuring mostly cover songs. Thankfully, the second and third choruses are a bit more rock-infused. The line “That’s just what gangsters do” gives us chills every time. It’s an ingenious sonic smirk to the genre’s lineage that’s also just a really entertaining listen. series know, nailing a cross-genre cover is an art all its own. had a dollar sign in her name. For their cover, The Ataris managed to recapture Henley’s wistfully reminiscent tone while revamping the song’s sonic palette and cleverly swapping out the lyric’s Grateful Dead reference for a more relevant punk-themed update: “Out on the road today I saw a Black Flag sticker on a Cadillac.” Within the glut of early-’00s pop-punk covers, The Ataris’ “Boys of Summer” remains one of the era’s top-shelf standouts. By a fair margin, M.I.A. The Starting Line — "I'm Real" (Jennifer Lopez and Ja Rule). Rolling Stone named The White Stripes' cover of Parton's timeless, aching "Jolene" one of the greatest remakes ever. 23. The choruses in this cover by SECRETS are nearly flawless, but this is one of those instances where replacing rapping with screaming in the verses doesn’t work as well. Still in their late teens at the time, MxPx showed some finesse in their tracklist choices for the all-covers affair, but it was “Take On Me” that unquestionably proved to be the album’s standout track. The central theme of longing still feels just as genuine with a faster tempo and intensified instrumentals. Patti Smith is sometimes pegged as more poet than punk, but there’s no doubt that her otherworldly creative output has always been informed by her early punk influences. There are now seven […] For X’s part, “Soul Kitchen” is almost unrecognizable as a Doors original, as Exene Cervenka’s unmistakable howl, John Doe’s gruff background vocals, Billy Zoom’s vigorous guitar work and D.J. Ice Nine Kills added some really interesting elements, both vocally and instrumentally, to Maroon 5’s “Animals.” As a band known for incorporating vivid horror themes into their lyrics, it seems fitting that Ice Nine Kills would’ve picked a song with such a distinct and eerie metaphor. There were moments when it popped its head above the ramparts and that emotional stuff was discussed in song with various levels of sophistication. However, if This Century had to cover this track, we would’ve liked to see them do more to change it up from the original. When The Ataris released their fourth album So Long, Astoria in 2003, “In This Diary” was tagged as the album’s lead single. Because if not, Upon A Burning Body totally turned it into one with this cover of DJ Snake’s “Turn Down For What.” While it isn’t quite as strong as some of the purer rock renditions of hip-hop tracks, there are plenty of entertaining elements that make us want to fire up the loud. While the Riverboat Gamblers shave a little of the pop polish off of “Let’s Go Crazy” by approaching it with a more raw abandon, the fact that they never quite capture the outright fury of Prince’s original guitar work may be the most punk revelation about the whole cover. Then there have been some song selections and stylistic choices that have left us scratching our heads. Sparks The Rescue made more changes to Lady Antebellum’s (now Lady A) “Need You Now” than what’s typically heard on a Punk Goes Pop track. The line “That’s just what gangsters do” gives us chills every time. Despite being categorized as a rock band, the Fray’s songs have a tendency to sound a lot like lullabies. One of the more clever tributes of 2009 was Purplish Rain, a tribute album compiled by Spin magazine that featured track-by-track Purple Rain covers in the album’s original running order. 2'. 21. Genre discrepancies aside, it’s impossible to deny the success of one particular subseries: the Punk Goes Pop albums. The Los Angeles-based group started out as a trio around 1977 and (along with The Zeroes) were pioneers in the Chicano punk scene. Jett’s version of “Love Is All Around” from The Mary Tyler Moore Show (which, by the way, is No. tracks, but somehow it just works. Best Of, Lists The Top 50 Goth Songs by Treble staff. The central theme of longing still feels just as genuine with a faster tempo and intensified instrumentals. Second, punk bands love covering The Beach Boys. 2. Anarchy In The U.K. - Sex Pistols 5. A great punk cover of the Crickets song. One might expect a no-frills punk band comprised of four tough guys from Queens clad in black leather jackets, tight jeans, and low-slung instruments to not have such an affinity for the beach (Rockaway or otherwise), but their covers of The Beach Boys’ “Surfin’ Safari,” Jan and Dean’s “Surf City” and The Trashmen’s “Surfin’ Bird” say otherwise. gave this bouncy pop anthem more musical merit than we ever thought possible. wins this round. However, Memphis May Fire did add an acceptable amount of screaming—and a brilliantly crafted breakdown—to make this more than just your average Punk Goes Pop cover. When she released her adaptation of Them’s “Gloria; as a single from her landmark debut album Horses, she used a scathing live cover of The Who’s “My Generation” as the single’s B-side. Music, Film, TV and Political News Coverage. Somehow, this month's cover starsmanaged to make this song even more filthy than when it was first recorded for 'Punk Goes '90s Vol. While Goldfinger’s 1998 version of Spiral Staircase’s “More Today Than Yesterday” from Adam Sandler’s The Waterboy is certainly a fine and respectable undertaking, their rendition of Nena’s “99 Red Balloons” from their 2000 album Stomping Ground edges out the competition for best Goldfinger cover thanks to lead singer John Feldmann’s impressive use of the original’s German lyrics in one of the verses. When Prince’s Purple Rain turned 25 in 2009, the occasion was widely celebrated in a variety of contexts due to the double media smash success of the 1984 film and album. The second verse feels a bit strange, but we can still appreciate the band’s attempt to add texture to this 2001 hit. In this particular case, the style of the original song might’ve just been more fitting. Because of this, Four Year Strong’s interpretation comes off as a little too jarring. While the song itself is fine enough, what has made it most significant is the sentimentality of what it has signified for both bands—a tribute to one band that has turned into an on-stage ritual for the other. Because if not, totally turned it into one with this cover of. While the instrumentals in this cover are impressive, single. Tarantino not only featured the song on the film’s soundtrack, but he also included multiple scenes of the band performing a few different songs, including an extended sequence where almost the entirety of “Woo Hoo” ran over multiple shots of The 5.6.7.8’s playing along. Taking away the glossy sheen on the boy band’s vocals make the song feel literally lackluster, and while it might sound crazy, we actually found ourselves missing the “Oh, oh”s. The result ends up being two great tastes that taste great together as Graffin’s menacing bark plays perfectly off of Fat Mike’s snotty sneer and the singalong background harmonies are pretty spot-on, especially for a punk record that was recorded and mixed in just six days. Is hip-hop metalcore considered an official genre? Dixie is one of the pinnacles of the subgenre, mixing clean vocals with ripping guitars to create the total package. ’s. Punk cover supergroup Me First and the Gimme Gimmes released their very first 7” single in 1995 and it contained a John Denver cover on each side: “Country Roads” on the A and “Leaving On A Jet Plane” on the B. The Punk Goes Pop series had already strayed from its first titular genre when the third volume was released in 2010. For example, their five-track EP The Holiday Has Been Cancelled contains elements of wah-wah horn lounge rock, ska-tinged hardcore, twangy alt-country cowpunk and an ABBA cover. From his nimble-fingered intro to his electrifying runs during the song’s chorus, Freeman’s bass line foregoes the standard root-note punctuation for a compelling counter melody that supercharges the song into new sonic spaces. ’s “Love The Way You Lie.” Some of the notes, however, along with the change in rhythm, make the verses of this serious and emotional song feel a little too bright. Their take feels distinctly different from other. You can certainly try to listen and do your best to not sing along, but resistance is futile when the Mad Caddies meet mid-‘70s disco. The Dollyrots, “Da Doo Ron Ron/I Wanna be Sedated”, 27. They boldly went where no Swift cover had gone before, adding in lots of screaming and a breakdown, one of the track’s standout moments. Pop songs? However, as the bands who’ve made numerous appearances in the Punk Goes Pop series know, nailing a cross-genre cover is an art all its own. We love Jake Luhrs’ screams as much as the next person, and there are definitely a few sections where August Burns Red’s heavy sound fits, but clean vocals almost seem like a requirement to capture the undeniable emotion in Miley Cyrus’ “Wrecking Ball.” A mix of the two styles might’ve made for a more compelling cover. Sure, Further Seems Forever spiced up this classic *NSYNC track with drums and a prominent bassline in the verses, but otherwise, there isn’t much that stands out in this cover. Songs May 1, 2005 22:08:39 GMT . series had already strayed from its first titular genre when the third volume was released in 2010. From the soft guitar intro to the fervent drum fills, which build up to an explosive chorus, Silverstein add the perfect raw punk touch to OneRepublic’s “Apologize.”. However, as the bands who’ve made numerous appearances in the. However, the album’s most pleasant surprise is L7’s roaring (and thematically on-the-nose) cover of “Hanging on the Telephone” that opens Parallel Lines. However, the howl gets lost in the breakdown. Poet decided to bring their pop-punk sound to Lady Gaga’s “Bad Romance” by adding guitar, but it isn’t really enough to make their cover feel much different from the original. The song "Cheerleader" reportedly had its origins in Jamaican singer OMI waking up humming the melody in 2008. Such is the case with Rancid’s cover of Sham 69’s “If The Kids Are United” from the 1999 Hellcat Records compilation Give ‘Em the Boot II. stayed true to the original in many ways, adding their own sound in all the right places. However, their Crystals/Ramones mash-up of “Da Doo Ron Ron/I Wanna Be Sedated” serves the dual purpose of highlighting the band’s best selling points (lead singer Kelly Ogden’s charmingly plucky vocal delivery and Luis Cabezas’ lock-step rhythm guitar playing) while also framing their sonic influences in a cleverly meta way. Minor Threat accomplished a lot in their all-too-short career, including spearheading hardcore punk, revolutionizing the DIY work ethic, popularizing the straight edge movement and capturing one of the most iconic) (and most copied) punk photos of all time for their self-titled EP cover. On August 6, 1996, the Ramones played their final show at the Palace in Hollywood. It’s seminal release, Punk Goes Pop Vol. There are now seven volumes, with speculation of an eighth floating around online. There’s something about the allure and intrigue of an audible British accent in a song that can’t be replaced. Some true pop-punk defenders have argued that it’s nice to be able to actually understand the lyrics, but much like other rock-turned-pop acts such as Fall Out Boy, isn’t that just part of the 1975’s charm? With punk still in its cultural infancy at the time—it had been less than a year and a half since the Ramones had made their CBGB’s debut and the Sex Pistols’ “Anarchy in The U.K.” hadn’t even been recorded, yet—Smith’s rebellious confiscation of the previous era’s youth anthem perfectly contextualized the attitude and energy of the burgeoning scene on the cusp of its fullest explosion. The term "pop punk" is often co-opted and repackaged as power pop or some variation therein, yet the core concept is simple — melodic songs packaged with a punk slant. Jack White, singing from the feminine perspective without a trace of irony, brings down the house in his epic rendition of a country classic. The blasting horns jettison the cheesy 90s Disney pap and transform this song into what should be a damn well-known pop punk cover. Breathe Carolina — "See You Again" (Miley Cyrus). Not to mention, the band did an incredible job of creatively reimagining the verses without a single bit of clean singing. The storied tale of “Tessie” involves its use as a rallying anthem for the Boston Americans (later to become the Red Sox) during the 1903 World Series, which they went on to win in dramatic fashion by taking the last four games after being down three-to-one in a best-of-five series. The slower tempo does make the song feel a bit lacking in energy compared to Nicki Minaj’s version, but if nothing else, the charming lyrical changes (“She might drink Coke” in place of “He might sell coke,” for example) are sure to make you smile, regardless of your stance on the original song. 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